Jumat, 10 Mei 2013

[V132.Ebook] Free PDF Handbook on the Prophets, by Robert B. Jr. Chisholm

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Handbook on the Prophets, by Robert B. Jr. Chisholm

Handbook on the Prophets, by Robert B. Jr. Chisholm



Handbook on the Prophets, by Robert B. Jr. Chisholm

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Handbook on the Prophets, by Robert B. Jr. Chisholm

The prophetic books of the Bible contain some of the most difficult passages in the entire Old Testament. Veteran professor Robert Chisholm guides readers through the important and often complex writings of Isaiah, Jeremiah, Lamentations, Ezekiel, Daniel, and the Minor Prophets, examining the content, structure, and theological message of each book. Rather than attempting to provide a detailed verse by verse commentary, this handbook focuses on the prevailing themes and central messages of the prophetic books. It considers how the message of the prophets would have been heard in their respective historical communities and considers the prophets' continuing importance for contemporary study. Now available in paperback.

  • Sales Rank: #108045 in Books
  • Published on: 2009-07-01
  • Released on: 2009-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.16" w x 6.00" l, 1.49 pounds
  • Binding: Paperback
  • 512 pages

From the Back Cover
The prophetic books of the Bible contain some of the most difficult passages in the entire Old Testament. Handbook on the Prophets provides a thorough and insightful introduction for students of Old Testament prophetic literature. Robert Chisholm guides readers through the important and often complex writings of Isaiah, Jeremiah and Lamentations, Ezekiel, Daniel, and the Minor Prophets, examining the content, structure, and theological message of each book. Rather than attempting to provide a detailed verse-by-verse commentary, this handbook focuses on the prevailing themes and central messages of the prophetic books. It considers how the message of the prophets would have been heard in their respective historical communities and the prophets' continuing importance for contemporary study.

"An excellent contribution. . . . [Chisholm] has provided an accessible commentary that offers an overview of the message of the biblical text with sensitivity to the historical context of the prophet."--Mark J. Boda, Review of Biblical Literature

"An accessible introduction of the prophetic books for those who desire a better understanding of the message of the prophets. . . . [Chisholm's] discussion of the context of the prophetic books is very helpful."--Claude Mariottini, Review & Expositor

"An extremely useful tool for serious study of the Old Testament. . . . Commentaries of this nature and especially of this quality not only bridge the chasm between the technicalities of scholarship and the practical situations of preaching, teaching, and worship in churches, but also begin to disturb the status quo in which the use of and reliance upon translations and paraphrases has dulled the church's sense of responsibility toward the study of the Hebrew text. This is one of the most praiseworthy aspects of Chisholm's work. . . . Chisholm deserves much praise for the extent and depth of his commentary."--J. C. Lubbe, Old Testament Essays

"Chisholm proceeds chapter by chapter through each prophetic book (as well as Lamentations and Daniel) and provides an often-detailed summary of its contents plus an analysis of literary themes, linguistic notes, and occasionally historical contexts."--Tyler Mayfield, Religious Studies Review

About the Author
Robert B. Chisholm Jr. (Th.D., Dallas Theological Seminary) is professor of Old Testament and chair of the department at Dallas Theological Seminary in Dallas, Texas. He is the author of Interpreting the Minor Prophets and From Exegesis to Exposition: A Practical Guide to Using Biblical Hebrew.

Most helpful customer reviews

23 of 24 people found the following review helpful.
The words of the prophets
By FrKurt Messick
Like the other books in this series, 'Handbook on the Prophets' is a highly useful and accessible text. Baker Book House also published 'Handbook on the Pentateuch' many years ago, which has become a widely read book, and 'Handbook on the Historical Books' just a few years ago. Chisholm's book is a welcome part of this collection.
This is not a verse by verse commentary on the prophetic books of the Hebrew scripture. Rather, this is a more general commentary that looks as pericopes (logical blocks of text that flow together) as units. Each chapter (or, in the case of the minor prophets, sub-chapter) has an introduction that gives the basic historical and social background, pertinent linguistic and literary information, and general structural and contextual themes.
The longest chapter, as befits its subject among the prophets, is on Isaiah. This gives a good indication of the kind of commentary Chisholm produces. In the discussion on the authorship of Isaiah, he puts forward the theory that the author of 'First Isaiah' (Isaiah 1-39) is different from the author of 'Second Isaiah' (Isaiah 40-66); perhaps there is even an 'Third Isaiah' (Isaiah 56-66) distinct from the other two. However, Chisholm prefers the more traditional idea that there is but one author of Isaiah. Rather than dealing with the multiple-author theory, he rather sets it forward as a scholarly possibility, but concentrates his writing on the single-author text. From this, one can see from this that Chisholm's interpretative framework is a more traditional and conservative one, but not one that does excludes alternatives.
One of the strengths of this text lies in the bibliographies -- this commentary is not a book by scholars for scholars, but does not ignore that consideration. After each section there are bibliographies of commentaries and of recent studies. Chisholm tends to include works published after the 1980s, so this is a good snapshot of work done in the past decade.
This book is really aimed for the working minister, the individual and group-studying bible reader, and perhaps undergraduate students. It avoids the most advanced and technical language that tends to be the exclusive province of professional scholars and graduate students, yet it does not condescend or lack for insight because of this.

14 of 16 people found the following review helpful.
A commentary for all
By Brett V.
(PLEASE NOTE - THIS REVIEW WAS POSTED UNDER JOSH PLAZAK'S NAME, MY ROOMMATE, ACCIDENTALLY)

Chisholm's commentary proved insightful and will be a good resource for me in the future regarding my studies in The Word. I look forward to reading some more of his work now that I am a little more familiar with his hermeneutical slant and doctrinal leanings.

The overall outlines of each prophetical book was helpful. However, he or the editor grouped the Minor Prophets in one large heading which made it difficult to reference them as single books (the tops of the pages only said "Minor Prophets" and not the specific minor prophet). Even so, the outlines of some of the books by Chisholm were unique when compared to other scholars' outlines, making it helpful to see the book more comprehensively.

Chisholm made helpful textual analyses throughout his commentary, citing various places where questionable translating occurred in certain versions (often the NIV). He also showed his acumen analyzing the Hebrew text itself. These were often very technical footnotes which would be of value, I would assume, for those who are well versed in studying the ancient Hebrew text.

His one leaning that seemed questionable, though, was his tendency that seemed to generalize large portions of prophetical scripture as merely language used for exaggerated effect. It is not that Chisholm did not evaluate and comment on various opinions on texts that he believed were better off seen as exaggerations - he did take time to do this. However, in some cases his stance to see certain passages as merely "exaggerations for effect" seemed to ignore or not account better for specific details that implicitly seemed to require more of an explanation that one of hyperbole.

The other bittersweet part of Chisholm's commentary is his desire, it seems, to allow for beginning level students of The Word taste The Word fully. For those who have perhaps spent a couple years in study of Scripture (like myself), some of his comments seemed redundant. Even so, he would at other times jump from redundant comments about God's work in the past (which should never get old J) and then discuss deep theological tenets and textual issues, grabbing the attention of the more novice reader, perhaps even advanced.

I will be likely referencing this book in the future and look forward to reading more Chisholm. His bibliography at the end of each book is also helpful. It is a valuable and insightful resource to see the number of articles and commentaries out there on The Prophets.

11 of 13 people found the following review helpful.
Review of Chisholm
By A Customer
Throughout the semester the text Chisholm's Handbook on the prophets has been a valuable resource for me as far as research and collecting a different opinion goes. This book offers a thorough and insightful introduction for any student studying the Old Testament Prophetic literature. Rather than attempting to provide a detailed verse-by-verse commentary, this handbook focused on the prevailing themes and central messages of the prophetic books. In the text, Chisholm starts every chapter with a brief analysis of the historical and social setting of the book under discussion. Chisholm works his way through the writings describing the structure, content, and important concepts found in the text. Chisholm made it vital to examine and review critical issues whenever they are important for the interpretation of a particular passage. However, he focused more broadly on the theological themes that characterize the work as a whole. Students in seminary and of the advanced biblical studies would find this volume enlightening and extremely helpful as they make their way through the prophetical books. This handbook on the prophets will also be a good resource for pastors and teachers to use in their teaching and research of this portion of scripture.

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Kamis, 09 Mei 2013

[T500.Ebook] Fee Download Boxing in education, by Edwin L Haislet

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Boxing in education, by Edwin L Haislet

  • Sales Rank: #13846921 in Books
  • Published on: 1939
  • Binding: Unknown Binding
  • 193 pages

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Senin, 06 Mei 2013

[P974.Ebook] Download Ebook Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design, by Bradley Cantre

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Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design, by Bradley Cantre

Digital Drawing for Landscape Architecture won the “Award of Excellence” from the 2012 Professional Awards and Student Awards by the American Society of Landscape Architects (ASLA).

For a hundred years, pencil, pen, markers, and watercolor have been the principal tools of representation for landscape architects and urban planners. Today, those hand-powered aids have been replaced by computers and Computer-aided design (CAD). Digital Drawing for Landscape Architects bridges the gap between the traditional analog and the new digital tools and shows you how to apply timeless concepts of representation to enhance your design work in digital media.

Building on the tried-and-true principles of analog representation, Digital Drawing for Landscape Architecture explores specific techniques for creating landscape design digitally. It explains the similarities and differences between analog and digital rendering, and then walks you through the steps of creating digitally rendered plans, perspectives, and diagrams. You’ll explore:

  • Computing Basics
  • Raster and vector images
  • Setting up the document
  • Base imagery and scaling
  • Hand-drawn linework and diagrams
  • Text, leaders, and page layout
  • Color, shading, and textures
  • Creating a section elevation
  • Perspective drawing
  • Techniques for using the newest versions of Adobe Illustrator, Photoshop, and Acrobat as well as older versions

With more than 500 full-color drawings and photographs alongside proven techniques, Digital Drawing for Landscape Architects will help you enhance your skills though a unique marriage of contemporary methods with traditional rendering techniques.

  • Sales Rank: #864238 in Books
  • Published on: 2010-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .63" w x 7.50" l, 1.65 pounds
  • Binding: Paperback
  • 320 pages

Review
"This book's exceptional clarity earned it the highest honor in the Communications category. It is organized and written to appeal specifically to landscape architects who have been trained in traditional representation methods on the drafting table but who would like to work effectively in digital media. The jury clearly saw the book's value. "It's the first drawings book I've seen that is contemporary and clear", one juror said." (Landscape Architecture Magazine, September 2012)

"Digital Drawing is a sophisticated digital media book focused primarily on creating photomontage images for site design. This book, aims to be a software neutral and has a strong, theory-based designer's point of view. This is the first landscape architecture book available as an eBook, so the authors thoroughly embrace modern communication tools while still holding to the tried-and-true landscape architecture values of high-quality graphic representation." (Landscape Architecture, August 2010)

From the Back Cover
A full-color guide to digital landscape representation

For a hundred years, pencil, pen, markers, and watercolor have been the principal tools of representation for landscape architects and urban planners. Today, those hand-powered aids have been replaced by an array of digital tools. Digital Drawing for Landscape Architecture bridges the gap between the traditional analog and the new digital tools and shows you how to apply timeless concepts of representation to enhance your design work in digital media.

Building on the tried-and-true principles of analog representation, Digital Drawing for Landscape Architecture explores specific techniques for creating landscape representation digitally. It explains the similarities and differences between analog and digital rendering, and then walks you through the steps of creating digitally rendered plans, perspectives, and diagrams. You'll explore:

  • Computing basics

  • Raster and vector images

  • Setting up the document

  • Base imagery and scaling

  • Hand-drawn linework and diagrams

  • Text, leaders, and page layout

  • Color, shading, and textures

  • Creating a section elevation

  • Perspective drawing

  • Techniques for using the newest vers ions of Adobe Illustrator, Photoshop, and Acrobat as well as older versions

With more than 500 full-color drawings and photographs alongside proven techniques, Digital Drawing for Landscape Architecture will help you enhance your skills through a unique marriage of contemporary methods and traditional rendering techniques.

About the Author
Bradley Cantrell is Principal of and Partner in Visual Logic Inc. and a founding partner in LND Digital Workshop, digital media training and consulting. He is also Assistant Professor, School of Landscape Architecture, Louisiana State University. He received an MLA II from the Harvard University Graduate School of Design with a concentration in digital site representation and interactive spaces.

Wes Michaels is a principal of Spackman+Mossop+Michaels Landscape Architects and a partner in LND Digital Workshop, digital media training and consulting. He is also an Assistant Professor of Landscape Architecture, Louisiana State University. He received an MLA from the Harvard University Graduate School of Design.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Strong Book For Digital Workflow
By ETC
Concise, well-written book that bridges the gap for new learners and more seasoned digital renderers. Cantrell and Michaels offer a fantastic overview of how to improve workflow speed and the finished product. Some underlying knowledge of the Adobe Suite is necessary, but will still be beneficial for those new to importing .pdfs from CAD to Photoshop, Illustrator,etc. Loads of helpful images, well-described how-to's, and tricks that will give your projects an extremely impressive look. Minor quibble, a couple of sections feel "rushed" toward the end as far as the steps. For instance, the collage section feels like it could have had a bit more detail and polish like some of the earlier sections. Again, minor, minor issue. Otherwise, go for it without regret. For Landscape Arch students, this is a must. Consider it the digital version of Grant Reid's Landscape Graphics.

2 of 2 people found the following review helpful.
Great Book!
By curtis43d
Digital Drawing for Landscape Architecture gives you a good understanding of how to use a variety of programs in conjunction with each other. It gives good examples of what program to use for specific graphic presentations and does so in a very clear and concise way. Many of the techniques discussed can easily be applied to disciplines other than Landscape Architecture and I would highly recommend the book to anyone involved in creating digital graphic presentations for any of the design professions. I teach a course a course called "Integrated Computer Graphics" and I plan on using it for my main text. Well done!

0 of 0 people found the following review helpful.
Very interesting and educational book
By Yarden Woolf
The book is very interesting to me as a landscape architecture student. I would suggest to buy it early in the degree

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Spain at War: The Spanish Civil War in Context 1931-1939, by A. Shubert, G. Esenwein

The Spanish Civil War (July 1936-April 1939) killed several hundred thousand soldiers and civilians and created psychological scars that would take over half a century to heal. Here, two of the ablest young historians of modern Spain examine the ill-fated Second Republic (1931-1936) and its tragic aftermath in their full historical background. Alongside the military and political dimensions, the book breaks new ground in exploring such themes as the impact of the war on gender relations; the varieties of terrorism; and the role of propaganda.

  • Sales Rank: #2888742 in Books
  • Brand: Brand: Longman
  • Published on: 1995-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.50" l,
  • Binding: Paperback
  • 328 pages
Features
  • Used Book in Good Condition

Review
'There is no doubt that this book will quickly become an indispensable standard work for interested readers even beyond the English-speaking world'. Journal of Modern History

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0 of 0 people found the following review helpful.
Illuminating - but a candle, not a lantern
By mbinvta
SPAIN AT WAR is a fascinating book that I was assigned to read while taking Spanish history in college, but that I subsequently enjoyed and reread several times afterward, even writing notes in the margins in order to deepen my understanding of the themes. It is a British book, so ultimately it is from foreigners' perspectives and a little stereotyping is probably inevitable. Still, you certainly do not have to be a Spaniard (and I am not) to be thrilled by the descriptions and have your imagination challenged. It is a must-read for anyone, anywhere in the world, who wants to more fully understand not only the Spanish Civil War, but World War II and class and political conflicts in the modern world as well.

What is perhaps the most interesting aspect of this book is that it offers a snapshot of the 1930s that most Americans would not be likely to hear from their grandparents' or great-grandparents' reminiscences, or from nostalgic Hollywood period films or TV shows. The countercultural 1960s could hardly compare to all the social dislocations and ideological turmoil that rocked Europe during the Great Depression years, especially in countries such as Germany, Italy, or (of course) Spain. Though in one sense it was a time of great violence and injustice, there also existed many forms of liberation - for the poor, for freethinkers on both ends of the political spectrum, and (perhaps most dramatically of all) for women. It was a truly exciting period in history, when ordinary people felt empowered by their beliefs and were willing to fight, kill, and die for them. As you read the groundbreaking accounts - some of which were not even analyzed by historians until the 1990s, when this book was published - you can see the militiamen and guerrillas in their incendiary finery, and almost hear their angry shouts and proud protest songs and anthems, and you feel exhilarated.

The authors examine the Spanish Civil War as the paradox it really was: both an issue peculiar to Spain and one that was profoundly influenced by events taking place outside Spanish borders. They describe how a widening gap between Spanish conservatives and liberals (and, to a lesser extent, Castilian Spaniards and other ethnic groups indigenous to Spain) ultimately became irreconcilable, and how the stakes for which both groups were fighting eventually spilled over into the rest of Europe, bringing France, Britain, Italy, Germany, Russia, and even the United States into the controversy to varying degrees. By the time the war ended in 1939, it had essentially become a struggle between fascism and (Soviet) communism, even though both of those forces had scarcely been involved in the civil war to begin with!

But anyone who would think that everything one would ever need to know about 1930s Spain can be found in this book is sorely mistaken. The authors fall short in presenting a truly universal point of view, which is perhaps understandable in light of the very limited scholarly resources that were available to them when they began their research. Their biggest shortcoming is that they too often succumb to political stereotyping and even caricature. While some have accused SPAIN AT WAR of promoting a left-wing political bias, the Communist International actually comes in for some of the harshest criticism in this work. Although the authors do try to be fair, they ultimately make it sound as if everyone who fought for the Republican (anti-fascist) side became a tool (sometimes willing, sometimes not) of the Soviet Union, and that they either participated in the anti-bourgeois, anti-Catholic atrocities or returned to their home countries as disillusioned burnouts. Right-wingers who were involved in the conflict get shortchanged even more badly: they're stereotyped as either social conservatives, Roman Catholic zealots, wealthy elitists, or complete idiots (or, to use the authors' own choice phrase, "backwoodsmen"). Very, very little time is given to the populist and even radical roots of fascism in both Spain and in Europe in general; it's perfunctorily stated that Generalissimo Francisco Franco's elitist forces quickly shut down and even terminated the Falanque (Spanish fascist) "street-fighting" faction, but that's the last we ever hear of them. Fascism and communism alike were visionary, transformative movements that - their many unsavory aspects notwithstanding - featured stark class divisions even within themselves, and did not always conform to the standard totalitarian tropes that everyone is familiar with thanks to characterizations of Hollywood supervillains and the rhetoric seen and heard at antiwar protests and Tea Party rallies.

SPAIN AT WAR is quite enlightening, and certainly preferable as a historical document to many of the more famous books and movies about 1930s Europe (particularly Ernest Hemingway's FOR WHOM THE BELL TOLLS, a ridiculously sanitized portrayal that you will have great difficulty taking seriously after reading this book). Even so, it paints a decidedly incomplete picture and can never hope to compare to the memories of people who were actual eyewitnesses (and who, unfortunately, are for the most part dead now). But, to paraphrase Rick Blaine (Humphrey Bogart) in CASABLANCA, we'll always have Barcelona, where partisans of all varieties plastered buildings around the city with color-splashed modernist propaganda posters (sort of the 1930s equivalent of hippie psychedelia). And we'll always have Zaragoza, where ex-cons from the local penitentiary fought side by side with law-abiding citizens against an invading enemy. And we'll certainly always have Madrid, which turned into something that put 1920s Chicago to shame as glorified street gangs fought from building to building, even seizing luxury hotels as their "turf" and opening them to the public. The 1930s were a crazy, confrontational, circus-like time for Spain, and they will always stand as a testament to what human beings can get themselves into when they really cut loose - and we are all the richer as thinking creatures to have the authors of this book somewhat clumsily try to stage it all for us.

5 of 17 people found the following review helpful.
Disappointing
By A Customer
Unfortunately a very superficial and biased account of that violent conflict. The authors often omit important facts to further their own idealogical agenda (pro-Republican in this case.)One cannot help but recieve the impression that the authors fail to fully comprehend and analyze certain key aspects and motivations involved (Carlism or the violence and character of the Republican religious persecution are notable examples.)The bibliography is useful but fails to include the groundbreaking and fresh scholarship of Warren Carroll and some others on the topic. This book is of very limited value to the serious student of the period (1931-1939).

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[C563.Ebook] PDF Ebook Aircraft Accident Investigation - 2nd Edition

PDF Ebook Aircraft Accident Investigation - 2nd Edition

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Aircraft Accident Investigation - 2nd Edition

  • Sales Rank: #5480621 in Books
  • Binding: Paperback

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Minggu, 05 Mei 2013

[Q450.Ebook] Ebook The Lost Boy and the Monster (Picture Books), by Craig Kee Strete

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The Lost Boy and the Monster (Picture Books), by Craig Kee Strete

Old Foot-Eater has been living in the forest forever, so it was only a matter of time before he ensnared the lost boy. But the lost boy has been making friends with the scorpion and the rattlesnake, and it is because of his kindness that he might be able to escape becoming lunch for the awful old monster.

Dramatic paintings by Steve Johnson and Lou Fancher (illustrators of the best-selling My Many Colored Days, by Dr. Seuss and Cat You Better Come Home, by Garrison Keillor) bring to life the clash of the generous boy and the greedy beast.

  • Sales Rank: #2490003 in Books
  • Published on: 1999-05-24
  • Released on: 1999-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.32" h x .40" w x 8.82" l,
  • Binding: Hardcover
  • 1 pages

From Publishers Weekly
Strete's (They Thought They Saw Him) unremarkable tale with dramatic artwork introduces Old Foot Eater, a monster whose diet consists of "little children's feet." The beast hangs a sticky rope from a tree to ensnare the feet of unsuspecting young passersby. Wandering near the monster's tree one day, a lost boy "who had no name" encounters a rattlesnake and a scorpion. Both are amazed that the child does not harm them ("Aren't you going to beat me with a stick?" each asks the boy) and each in turn thanks the boy "for letting me be me." The creatures repay the boy's kindness when his feet get caught up in the monster's rope, and they help to set him free. Johnson and Fancher (My Many Colored Days; The Frog Prince, Continued) use mixed media to create paintings that seem at once sophisticated and primitive. Featuring a palette of tawny earth tones, the artists incorporate a top border filled with symbols from cave paintings and Southwestern petroglyphs. A particularly theatrical spread shows the boy dangling upside-down against a backdrop of the monster's face. As accomplished as the artwork is, however, it cannot carry the thin story line. Ages 4-8. (May)
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
Grade 1-3-Strete crafts a tale wherein good defeats evil not through the hero's cleverness but because of his respect for nature. A lost boy who lives alone in the forest is saved from a horrible monster, Foot Eater, by a rattlesnake and a scorpion. The nameless waif's "favor" to these normally persecuted creatures had been in refraining from beating them, a gesture that earned their loyalty. Johnson and Fancher's oil paintings, bordered by strips of stylized petroglyphs, effectively convey the limited action of the text but the earth tones often blend together, making it hard to tell what's going on in the two-page spreads. The boy's face is cherubic and his eyes seem vacant, visually complementing the platitudes he utters; the skeletal monster is sufficiently jagged. It's nice that these desert creatures feel compelled to come to the boy's rescue but one can't help wondering why they didn't just warn their new spiritual brother about Foot Eater's trap in the first place. This superficial tale of harmony is an object lesson that borders on the preachy but the stony monster should give youngsters a delightful chill or two.
John Sigwald, Unger Memorial Library, Plainview, TX
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
Strete pens an ode to tolerance that is none too subtle, but the stunning artwork from Johnson and Fancher should keep viewers involved. The story is a parable couched as a Native American tale, in which a boy (identified by Strete as lost and without a name, although why this is important is never made clear) comes across a rattlesnake and a scorpion, both of whom wonder why the boy doesn't kill them: ``Why should I do that? Snakes belong in this world just like me.'' Scorpions, too, the boy chirps. The venomous critters adopt the boy as a brother and when he gets trapped by the Old Foot Eater, a monster who lives in a medicine basket on top of a tree, catching his quarry with a sticky rope, the rattlesnake and scorpion come to his rescue and seal the monster's doom. Good deeds fly thick and fast here, but without context. The illustrations draw their hues from the American southwest, while the paint is scratched to convey a sense of age and animation, and the monster is a ghoulish, block-headed, spine-chilling delight. (Picture book. 4-8) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

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0 of 0 people found the following review helpful.
Good, Not Great
By A Customer
It's a fun story for the young ones, and the illustrations are fabulously entertaining. The story itself with the ugly monster and creepy crawlers makes it engaging and sure to keep the interest of kids. But the book makes me wonder why the main character appears to be a Native American boy. This doesn't appear to be relevant to the story, though the illustrator's note mentions that some of the art was inspired by Native American art. Which group or tribe?

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Kamis, 02 Mei 2013

[V888.Ebook] Get Free Ebook The House on Garibaldi Street: First full account of the capture of Adolf Eichmann, by Isser Harel

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The House on Garibaldi Street: First full account of the capture of Adolf Eichmann, by Isser Harel

  • Sales Rank: #334790 in Books
  • Published on: 1975
  • Number of items: 1
  • Binding: Hardcover
  • 265 pages

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0 of 0 people found the following review helpful.
It is more than amazing how the Israeli's were able to capture him in ...
By Dee Ann Tyler-Ellis
I bought this book knowing that it was used. I've never bought a used book before. When I received it, it was very obviously used. That said, The content of the book, the story of the capture of Adolph Eichmann is riveting. It is more than amazing how the Israeli's were able to capture him in Argentina and bring back to Israel, put him on trial and find justice. It is an unbelievable part of history that everyone should know about. I recommend it highly.

0 of 0 people found the following review helpful.
an amazing account of the capture of Adolph Eichman
By Tom Higham
Written by the head of the operation, an amazing account of the capture of Adolph Eichman, perhaps the best spy story of all time, the undercover techniques were awesome, a great insight into the history of that event,

0 of 0 people found the following review helpful.
Two Stars
By R. Lowe
It was a slow read for me. I expected much more from it. But an okay read.

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