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The Drummer's Studio Survival Guide (The Studio Series), by Mark Parsons
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The Drummer's Studio Survival Guide is an updated and expanded version of author Mark Parson's informative 13-part "In the Studio" series from Modern Drummer magazine. Topics include preparing one's drums for recording, drum miking, the use of outboard equipment, interacting with producers and engineers, and other information vital to any drummer entering the studio - whether for the first time or as a veteran.
- Sales Rank: #2626008 in Books
- Brand: Brand: Modern Drummer Publications
- Published on: 1996-10-01
- Original language: English
- Number of items: 1
- Dimensions: .27" h x 8.49" w x 10.96" l,
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
Most helpful customer reviews
0 of 0 people found the following review helpful.
This book is the one with it all!
By James Licano
Awesome book! Its the best book outhere that breaks everything down.Wanna learn how to record your drums then this is it
0 of 0 people found the following review helpful.
great
By Scott Logsdon
Brand New in package...thanks it was a good purchase and I use it often. ok I will write six more words
17 of 17 people found the following review helpful.
Great resource for any drummer entering the studio.
By A Customer
I recently purchased Mark Parsons "Drummer's Studio Survival Guide" and I was impressed. I am a drummer and have recorded in various recording studios on multiple occasions. I will certainly be more capable of getting a better sound out of my drums after reading this book.
I have encountered, just as Mr. Parson has, the horror of leaving my drums' sound in the hands of someone who is not a drummer. Thanks to his discussions on everything from room acoustics to microphone selection to processors (such as compressors, noise gates, equalizers, etc.) I can better explain what I am looking for in my drum sound to the engineer.
At the end of most of the chapters is an "Ask A Pro" section were Mr. Parsons asks well-known drummers, including Kenny Aronoff and Rod Morgenstein, and professional studio engineers what their personal preferences are on drum head selection, microphone selection, what equipment they like and don't like to use to process drum tracks.
In conclusion, this is a wonderfully informative book. I would recommend it to any drummer that has recorded or will be recording in a studio. It gives us a leg-up on communicating with engineers and helping our drums to sound great on and off the recording.
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